Album Art Bluebird Complete Artie Shaw Volume 1 19381939
| 4 Star Favorites | ||||
|---|---|---|---|---|
 RCA Victor reissue encompass, c. 1946–l | ||||
| Compilation album by Artie Shaw | ||||
| Released | September 5, 1941 | |||
| Recorded | 1938–1941 | |||
| Studio | Studio 2, Victor, New York Victor Studios, Hollywood | |||
| Genre | Dance band, orchestral jazz | |||
| Length | 24:xx | |||
| Label | Victor | |||
| Artie Shaw chronology | ||||
| ||||
| Alternative cover | ||||
 LP reissue cover, 1951 | ||||
Iv Star Favorites is a compilation album of phonograph records released in 1941 past Artie Shaw and His Orchestra on Victor Records, containing studio recordings past his second, 3rd and 4th orchestras.
During the 1930s and 40s, Shaw'south orchestras recorded two main styles of music inside of the jazz genre, danceable popular music following conventions of the time (swing) and a more sophisticated blend of classical music and jazz, aided with a string section (orchestral jazz or early third stream). These styles opposed each other, and during his career Shaw's attempts to make art music oftentimes failed considering it wasn't commercially feasible.[1]
Bridging the split up in Shaw'southward itemize, the compilation appealed to audiences of both swing music and more progressive forms of jazz. Well-reviewed upon release, the album stayed in-print for over a decade.[2]
Background and reception [edit]
Acknowledged every bit the nigh cerebral of the dance bandleaders,[3] throughout his career, Artie Shaw had an uneasy relationship with popularity.[1] Preferring to tape songs for perceived artistic value rather than cater to pop demand, in 1938, his 2d band (later on "Fine art Shaw and His New Music" in the middle 30s) struck massive success with "Begin the Beguine", a number-one hit for six weeks; From then on, the Shaw outfits were some of the near popular of the swing era.[four] Notwithstanding, critics speculated Shaw never wanted the massive corporeality of success he received. Frustrated with the way his blackness musicians such every bit Billie Holiday were treated,[5] the commercial nature of playing hit songs repetitively, and the music business in general, Shaw disbanded his orchestra in Nov 1939 and took 2 months off in a brief move to Acapulco, Mexico.[six]
In Acapulco, Shaw first heard the and then-new Alberto DomÃnguez limerick "FrenesÃ".[7] Reforming his band in early on 1940 with the addition of a string section, Shaw recorded the song in March, which offset appeared on Billboard charts on August three. In belatedly December, the unmarried jumped from the 7th position to the height of the chart, holding its identify for thirteen weeks and proving to be one of the largest hit singles of the 1940s decade.[4] However, past the fourth dimension the tape hit number 1, Shaw had already progressed to his quaternary band with largely unlike personnel. The sides included were representative of all three: tracks ii, 4, 6 and viii were from Shaw's kickoff successful orchestra and second overall; runway one Shaw's third; and tracks 3, 5 and 7 his fourth.[viii]
Four Star Favorites was well received in music publications. The New Yorker designated it a "perfectly neat anthology... which includes several of the band'south best accomplishments."[9] Radio and Television Mirror briefly recommended information technology,[10] and while Variety was positive, they noted the potential of fans to disagree with Victor's selections, due to the contrast between Shaw's more than orchestral leanings and popular, danceable swing material.[11] The American Music Lover, a publication mainly devoted to classical music, assigned the album four "A"s, their highest rating:
Don't expect at the album and think it'south re-hash of one-time stuff... Admit instead that information technology was a clever stunt on Victor'southward part to recouple eight sides of Artie's all-time contributions made during diverse stages of that heed-changing-near-musicians career of his... Artie, as a musician, shines in each piece... they're all well done.[12]
| Review scores | |
|---|---|
| Source | Rating |
| The American Music Lover | A A A A[12] |
| The New Yorker | (favorable)[nine] |
| Variety | (favorable)[eleven] |
| Radio and Telly Mirror | (recommended)[10] |
Rails listing [edit]
These reissued songs were featured on a 4-disc, 78 rpm album prepare, Victor P-85.
Disc 1: (27546)
- "FrenesÃ", recorded March 3, 1940.
- "Begin the Beguine", recorded July 24, 1938.[13]
Disc ii: (27547)
- "Star Dust", recorded October vii, 1940.
- "Back Bay Shuffle", recorded July 24, 1938.[thirteen]
Disc iii: (27548)
- "Dancing in the Dark", recorded January 23, 1941.
- "Traffic Jam", recorded June 12, 1939.[13]
Disc four: (27549)
- "Moonglow", recorded January 23, 1941.
- "Serenade To a Savage", recorded June 22, 1939.[thirteen]
Release history [edit]
The original album was issued on four ten-inch 78 rpm records, September 5th, 1941 on Victor Records.[14] Imprints of the album produced after February–March 1946 feature RCA Victor on the cover and labels. In 1949, truncated as six songs, the album was reissued on 45 rpm, WP 85. In 1950, after the format war between vinyl discs subsided, RCA Victor reached a cantankerous-liscening agreement with Columbia to issue their records on LP. The post-obit year, the characterization reissued the half-dozen-runway album on a 10" LP, LPM-thirty.
| No. | Title | Author(s) | Recording engagement | Length |
|---|---|---|---|---|
| 1. | "FrenesÃ" | Alberto DomÃnguez | March 3, 1940 | iii:01 |
| 2. | "Begin the Beguine" | Cole Porter | July 24, 1938 | 3:14 |
| three. | "Star Grit" | Hoagy Carmichael | October seven, 1940 | 3:31 |
| 4. | "Traffic Jam" | Teddy McRae–Artie Shaw | June 12, 1939 | ii:13 |
| 5. | "Moonglow" | Will Hudson | Jan 23, 1941 | 3:33 |
| six. | "Serenade To a Savage" | Joe Garland–Edgar Boxing | June 22, 1939 | two:33 |
| Total length: | 18:05 | |||
| No. | Championship | Author(s) | Recording engagement | Length |
|---|---|---|---|---|
| i. | "FrenesÃ" | Alberto DomÃnguez | March 3, 1940 | 3:01 |
| two. | "Star Grit" | Hoagy Carmichael | October seven, 1940 | 3:31 |
| 3. | "Moonglow" | Will Hudson | January 23, 1941 | 3:33 |
| 4. | "Serenade To a Savage" | Joe Garland–Edgar Battle | June 22, 1939 | ii:33 |
| v. | "Traffic Jam" | Teddy McRae–Artie Shaw | June 12, 1939 | 2:13 |
| 6. | "Begin the Beguine" | Cole Porter | July 24, 1938 | 3:fourteen |
| Full length: | eighteen:05 | |||
Chart functioning [edit]
While Four Star Favorites saw release nearly 3 1⁄2 years before the first Billboard mag Best Selling Popular Albums chart appeared, the continued public interest in Shaw's recordings (and those of the swing era in general) kept the album in print for over 10 years. Equally such, information technology did chart, peaking at number 4 on July 28, 1945. The 1949 EP configuration too charted, debuting in late 1951 and reappearing at number eight in early 1952.
6 out of the album's 8 tracks charted upon their original release. "Beguine" and "FrenesÃ" were both number-1 hits, too as the simply selections in the anthology to chart exterior the United States. The four other songs all reached the Top 10 in the US.[4]
| Tiptop date [iv] [ii] | Chart | Peak position [4] |
|---|---|---|
 US | ||
| July 28, 1945 | Billboard Best-selling Popular Record Albums | iv |
| January 19, 1952 | Billboard Best Selling 45 r.p.1000. | 8 |
Notes
- ^ Exponents represent number of weeks at the number ① position.
Personnel [edit]
Track numbers reference the 78 rpm album configuration. Complete personnel per the Glenn Miller Archive, University of Colorado Bedrock.[15] [16]
Woodwinds
- Artie Shaw – clarinet, leader
- Joe Krechter – bass clarinet (1)
- Bud Carlton – alto saxophone (1)
- Blake Reynolds – alto saxophone (ane)
- Les Robinson – alto saxophone (two–8)
- Hank Freeman – alto saxophone, baritone saxophone (2, 4, vi, eight)
- Neely Plumb – alto saxophone (three, v, 7)
- Jack Stacy – tenor saxophone (ane)
- Dick Clark – tenor saxophone (one)
- Ronnie Perry – tenor saxophone (2, 4)
- Tony Pastor – tenor saxophone (2, four, 6, 8)
- Jerry Jerome – tenor saxophone (3, 5, 7)
- Autobus Bassey – tenor saxophone (3, v, 7)
- Phil Nemoli – oboe (ane)
- Mort Ruderman – flute (ane)
Brass
- Mannie Klein – trumpet (1)
- Charles Margolis – trumpet (1)
- George Thow – trumpet (i)
- Claude Bowen – trumpet (2, iv)
- Chuck Peterson – trumpet (2, iv, half-dozen, 8)
- Johnny All-time – trumpet (2, 4, 6, viii)
- Jack Cathcart – trumpet (3)
- Billy Butterfield – trumpet (3, 5, 7)
- George Wendt – trumpet (three, five, 7)
- Clyde Hurley – trumpet (5, vii)
- Bernie Privin – trumpet (half dozen, 8)
- John Cave – flugelhorn (1)
- Nib Rank – trombone (i)
- Infant Bowman – trombone (one)
- Randall Miller – trombone (1)
- Ted Vesely – trombone (2, 4)
- George Arus – trombone (two, 4, 6, 8)
- Harry Rodgers – trombone (2, 4, 6, 8)
- Vernon Brown – trombone (3, 5, seven)
- Jack Jenney – trombone (3, five, 7)
- Ray Conniff – trombone (5, 7)
- Les Jenkins – trombone (6, 8)
Strings
- Harry Bluestone – violin (1)
- Robert Barene – violin (1)
- Sid Brokaw – violin (1)
- Dave Cracov – violin (ane)
- Peter Eisenberg – violin (1)
- Jerry Joyce – violin (1)
- Alex Law – violin (i)
- Marking Levant – violin (1)
- Alex Beller – violin (iii, v, 7)
- Truman Boardman – violin (three, 5, 7)
- Neb Brower – violin (3, 5, 7)
- Ted Klages – violin (3, 5, 7)
- Eugene Lamas – violin (iii, five, 7)
- Bob Morrow – violin (3, 5, 7)
- Jack Ray – viola (one)
- Stan Spiegelman – viola (1)
- Dave Sturkin – viola (1)
- Keith Collins – viola (3, 5, 7)
- Allan Harshman – viola (3, v, 7)
- Irv Lipschultz – cello (1)
- Jules Tannenbaum – cello (1)
- Fred Goemer – cello (3, v, seven)
Rhythm
- Stan Wrightsman – piano (1)
- Les Burness – piano (2, 4)
- Johnny Guarnieri – piano (3, 5, vii)
- Bob Kitsis – piano (6, 8)
- Bobby Sherwood – guitar (one)
- Al Avola – guitar (ii, 4, 6, viii)
- Al Hendrickson – guitar (iii, five, 7)
- Jud DeNaut – bass (one, iii, 5, 7)
- Sid Weiss – bass (2, 4, 6, 8)
- Carl Maus – drums (ane)
- Cliff "Mr. Time" Leeman – drums (two, 4)
- Nick Fatool – drums (3, five, 7)
- Buddy Rich – drums (6, 8)
Arrangers
- Artie Shaw
- William Grant Still (1)
- Jerry Grey (2)
- John Bartee (4, possibly)
- Lennie Hayton (v, 7)
- Teddy McRae (6, possibly)
References [edit]
- ^ a b Artist Biography by Scott Yanow at AllMusic. Retrieved 22 July 2019.
- ^ a b "Best Selling Popular Record Albums" (PDF). American Radio History. The Billboard. 19 Jan 1952. Retrieved 13 September 2019.
- ^ Evers, Van (November 1939). "Has Artie Shaw Gone High-Hat?". Radio and Television Mirror. Vol. 13, no. one. Macfadden Publications. Retrieved 22 July 2019.
In the start place, I've never known another bandleader as intelligent as Artie Shaw. He's read a bang-up bargain, and he can discuss with imagination and clarity everything he'southward read. He tin write, and write well.
- ^ a b c d east f American charts:
- Whitburn, Joel (2015). Pop Memories, The History of American Popular Music 1900-1940. ISBN978-0-89820-216-8.
- Whitburn, Joel (2002). Pop Hits, Singles and Albums 1940-1954. ISBN978-0-89820-198-vii.
- Waters, Steven (2013). The British Hit Singles Jan 1940 - Oct 1952: The Missing Charts. ISBN978-0-95768-810-0.
- Kent, David (2005). Australian Nautical chart Book (1940–1969). Turramurra: Australian Chart Book. ISBN0-646-44439-5.
- ^ Shaw, Artie (Apr 2002). "For Artie Shaw's 104th Birthday Anniversary, Two Uncut Interviews From April 2002" (Interview). Interviewed by Ted Panken. Retrieved 23 July 2019.
[On going on tour in the southern Us] It was ever a problem for the black guy. Whether information technology was Billie Holiday or Hot Lips Page or Roy Eldridge, it was ever a problem... [On the musical qualities of black musicians in his band] That was the only affair I cared about.
- ^ Ashley, Judy (February 1940). "Why Artie Shaw Walked Out On Honey and Music". Radio and Television Mirror. Vol. 13, no. four. Macfadden Publications. Retrieved 22 July 2019.
- ^ Atkins, Ron (31 December 2004). "Obituary: Artie Shaw". The Guardian. Guardian Media Group. Retrieved thirteen September 2019.
- ^ Simon, George T. (1981). The Big Bands (quaternary paperback ed.). New York: Schirmer Books. p. 420. ISBN0-02-872430-five.
- ^ a b "Musical Events". The New Yorker. Vol. 17, no. 43. F-R Publishing Corporation. half dozen Dec 1941.
- ^ a b Alden, Ken (January 1942). "Facing The Music". Radio and Tv set Mirror. Vol. 17, no. 3. Macfadden Publications. Retrieved 23 July 2019.
- ^ a b "Coin Catching Records – and Others". Variety. Vol. 144, no. 2. Diversity, Inc. 17 September 1941. Retrieved 23 July 2019.
- ^ a b Van Norman, Horace (October 1941). "In The Popular Vein". The American Music Lover. Vol. 8, no. 2. Peter Hugh Reed.
- ^ a b c d "Victor 78rpm numerical listing discography: 27500". 78discography.com. The Online Discographical Project. Retrieved 3 March 2019.
- ^ a b Discographies:
- Bolig, John R. (2017). The Victor Blackness Label Discography: Victor 25000, 26000, 27000 Serial. Vol. 5. Mainspring Press.
- Bolig, John R. (2017). The Bluebird Label Discography. Mainspring Press.
- ^ Scheer-Hennings, Reinhard; Spragg, Dennis (2018-04-09). "Artie Shaw 1938-1939" (PDF). www.colorado.edu. Glenn Miller Archive.
- ^ Scheer-Hennings, Reinhard; Spragg, Dennis (2018-04-09). "Artie Shaw January 1940-March 1941 "The West Coast Band"" (PDF). www.colorado.edu. Glenn Miller Archive.
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Source: https://en.wikipedia.org/wiki/Four_Star_Favorites
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